joe
09-28-2014, 11:25 AM
It's a fair question and sometimes not well understood even by experienced sign artists. Each of these techniques has it's own qualities.
Sandblast on wood offers exceptional beauty. While the router can wood grain textures, it lacks finished details.
I'm in no way suggesting anyone leap off into blasting. On the contrary. To do the work properly it's expensive and time consuming. But, hold on there-there's an opportunity to dabble around with a 5hp compressor and do some serious work. That is if you have a CNC. Here's what I've been doing for years. Works like a charm.
1st. Roll out the sandblast mask on a clean, dust free, panel. Burnish it down.
2nd. With a small brad point bit score the pattern in the mask and weed.
3rd. Route the image Z-.40 using a .25" bit.
4th. Now your ready to blast.
The net effect is depth and you only need to lightly blast to get the grain pattern up. Historically we had to blast all that material away. Another neat thing about this technique is you'll not have to worry about basting away the mask.
Here's an example of a sign at the blasting stage. O by the way, this panel has been out on property for five years and looks like new. The wood is cheap, cheap, very cheap yellow pine.
Sandblast on wood offers exceptional beauty. While the router can wood grain textures, it lacks finished details.
I'm in no way suggesting anyone leap off into blasting. On the contrary. To do the work properly it's expensive and time consuming. But, hold on there-there's an opportunity to dabble around with a 5hp compressor and do some serious work. That is if you have a CNC. Here's what I've been doing for years. Works like a charm.
1st. Roll out the sandblast mask on a clean, dust free, panel. Burnish it down.
2nd. With a small brad point bit score the pattern in the mask and weed.
3rd. Route the image Z-.40 using a .25" bit.
4th. Now your ready to blast.
The net effect is depth and you only need to lightly blast to get the grain pattern up. Historically we had to blast all that material away. Another neat thing about this technique is you'll not have to worry about basting away the mask.
Here's an example of a sign at the blasting stage. O by the way, this panel has been out on property for five years and looks like new. The wood is cheap, cheap, very cheap yellow pine.